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H R H - R E V I E W SDefenders
of Metal by
Derric Miller
Comments: Man In Black (MIB) Music comes at us for a second round with the Defenders of Metal saga, this time with Volume II, The Darkside. Like the first volume, this CD is chock-a-block with 17 bands from nine different countries. If you like your metal diverse, eclectic but mainly heavy, this is your CD. Because there are so many damn songs to forge through, this review will be broken up into three main categories: Defenders, Noncombatants and Offenders. Defenders: Starting a CD of this nature off, you’d better pick the right song. MIB picked right, with Babylon’s (USA) unrelenting “Reach for the Sun.” A trio, Babylon is made up of Bryce Van Patten on vocals and drums (who you’ll find smattered all over this CD in different bands and even with different instruments), Eddie Nixon (guitars) and Allen Grey (bass). This song has sort of a Dio feel to it, just the embodiment of a true metal song. The guitar solos rip, and the lyrics are smart and depressing. A fun way to start this journey off. Prowler Inc. (USA) almost have the best song on here, “Mountains of Madness,” but since they have a full review (with this song included) coming up on Hardrock Haven shortly, just trust that this old school thrash and slightly odd band defend the metal. Falling Closer (USA) DO have the best song here, but they don’t fit the formula at all. Their track “Grounded” sounds like something you’d hear on modern rock radio, ala Breaking Benjamin or maybe even a harder Puddle of Mud. There is heavy emotion in the vocals and even a sort of death vocal part at the end, the song is driven by down tuned and noisy guitars, and it’s just a well constructed tune. They don’t fit on this CD, especially alongside the aforementioned bands, but that doesn’t mean they aren’t good. Taking a turn 180 degrees, Wild Dogs (USA) tear things up with “High Roller.” You’ll find Van Patten on this song, doing drums again, but vocals and guitar go to Matt McCourt, with Dr. Mastermind on bass. Now, this song is the one that begs you turn up the loudest, and the one that wants you to mainline whiskey. It has an AC/DC vibe, but doesn’t sound like AC/DC. It’s that kind of dirty, groovy rock, though. Noncombatants: Mercury Rain’s (U.K.) “The Messenger” is a symphonic metal track, sort of like Nightwish, Theater of Tragedy, and the trillion other “chick sings opera/dude sings death” bands. Their saving grace is the female vocals, which unlike the aforementioned similar bands, Sonia Porzier doesn’t seem pretentious or to be faking earnestness. She just delivers, and it’s good. Whoever handles the male vocals, though, sounds like someone took a cheese grater to his vocal cords. Not good. That doesn’t ruin the musicianship or smart lyrics, so it falls into the middle ground of this review. J.A.T.A.’s (USA) “Eyes of Fire” is good and bad all at the same time. The vocals by Tony DiRienzo are WAY up front in the mix. So much, you can’t really hear the drums or bass. He has a distinctive voice and a good range, and maybe it’s just the production that needs to be altered to make this one a true defender. The guitar solo doesn’t seem to make sense with the flow of the song, giving it a disjointed feeling. Still, it does make you wonder what a whole album by these guys would sound like. Celestial Dawn (Canada) have a power metal offering called “Queen of the Damned.” This is more Manowar than Helloween, though. Its greatest flaw is that is just seems to be an OK song. Nothing truly stands out: not the vocals, guitars or rhythm section, and certainly not the lyrics. It seems they find their stride about 4-minutes in and deliver a hell of an ending, though, with a wicked cool scream and a Dickinson-like finale. Agatta (Brazil) have one of the coolest, meanest songs on the entire CD in “Messiah of the Sun.” The song changes tempo at weird times, but doesn’t get in the way of the overall song. The harmonic vocals sort of hide behind the double bass in parts, being muted when they should stand out. They need to ditch the two-part disharmony and let the lead singer carry things along — he has a cool voice, so let him shine. Offenders: MIB definitely and maybe defiantly DID NOT save the best for last. Nope … they saved the worst for last. Invented Heaven’s (Russia) “Rest in Pain” is awful. The lyrics are nonsensical — “paralyzed by immobility,” really? — and the vocals are the worst on the entire CD. Maybe MIB wanted to chuck one death metal band into the maelstrom just to give us a flavor of a different type of band, but it just didn’t work. On a good note, though, the music does seem influenced by Slayer, and the guitars are the highlight of this song. COD (Australia) are the second track, falling off the map compared to Babylon, failing with the dunderheaded “Armies of the Elephant God.” The drumming is completely insane, though, something to be amazed at. For a 3-minute song, it seems to go on for 10 minutes, and the vocals are awkward at best. Overall, this is an excellent CD to snag if you are curious to what the rest of the world is creating, especially for an American. Although you’ll hit skip a few times and deal with the herky-jerkiness of a 19-song disk, some of these bands are going to keep creating the music we love to hear. So check them out while they are still underground, defending the metal … Track
listing: Reach For The Sun – Babylon – Portland, OR. USA
* Armies of the Elephant God – COD – Australia * HRH Rating: 7.3/10
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