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H R H - R E V I E W S
Pyramaze
Comments: Pyramaze's debut CD, Melancholy Beast, was one of the last year's biggest surprises and also one of the top releases. Not only were the compositions written to such a level that only the best musicians could play the songs, but former Balance of Power singer Lance King offered up one of the best vocal performances of the year. Now, Pyramaze's new CD, Legend of the Bone Carver, has the daunting task of besting their prior release and they lose the battle. Legend of the Bone Carver is a concept album, about the balance of good and evil being tipped to the dark side, and that one cannot exist with the other. The cheese factor in the intro, though, starts things poorly. Take these words, for instance: "Every time something bad happened, something good would take its place, elsewhere." Basically, a wish goes out for something or someone to bring back balance, and thus the tale begins "The Birth" has sort of an Iron Maiden opening guitar intro, and if you have never heard guitarist and main songwriter Michael Kammeyer, he's a talent. King picks up where he left off on the last album, lancing through the music to declare his presence with a high and clear first vocal line. Jonah Weingarten adds the nuances and atmosphere with understated keys, and this is what you'd expect from Pyramaze. They set the tone perfectly with "The Birth." The next song is their first single, "What Lies Beyond," and it's heavier and grittier than the first track. In fact, it's probably the heaviest song Pyramaze has ever written, at least in parts. While Kammeyer is the guitarist, they added Toke Skjønnemand to handle leads this time around, and he takes the solos to an epic new level. You'll start getting jazzed from hearing these first two tracks, for sure. Things start changing with "Ancient Words Within." Sounding too similar to the prior tracks and with King singing the same melody lines, you'll get a repetitive feeling from this song. In fact, it sounds like King's other band, Avian. Drummer Morten Gade stands out the strongest here, with amazing power and rabid drum fills. When they do change tempos, it is with "She Who Summoned Me." A mournful ballad, King steals the show and Weingarten has his chance in the spotlight as well. While some of the other tracks have so much cacophony you can't follow the lyrics, that doesn't happen here. This track is actually a duet with a female voice, and it's the kind of song you will listen to time and time again. Triumphant and somewhat joyously manic, "The Bone Carver" is up next. While King was added after the vocal parts were written on Melancholy Beast, you can tell the band understands how to write for him this time around. King is one of metal's best singers, period. "Tears of Hate" ends the tale, another heavy as hell track. King sings along with himself in layered tracks, two-part harmony, and it creates a stunning vocal presence. Of course, the song has to have the spoken-word ending, and it once again turns the cheese factor up to high. "And in the end, the peace was restored. But war left its scars on the souls and on the hearts of every living creature." All in all, Legend of the Bone Carver beats the piss out of most releases today. But when you set the mark so high with your debut CD, and you add in new players to make the band better you can't settle for less. Maybe if the band deleted the spoken sections of the CD, it'd score better. You know that Pyramaze is a concept band, because Melancholy Beast is of the same ilk. Hell, they even have a spoken section on the first track of that CD, but it doesn't seem to interfere with the overall appeal. Regardless, Pyramaze can brag that they have some of the best musicians and one of the best singers in metal today. Let's hope their next release takes advice from Aerosmith and lets the music do the talking. www.pyramaze.com Advertisements:
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